Please do not support this movie.
It is simply an act of insanity and very dangerous to tell the Biblical truthful story of Noah and not mention the word “God” anywhere in the script.
Noah will rile some for the complete omission of the name “God” from the dialogue, others for its numerous dramatic fabrications and still more for its heavy-handed ecological doomsday messages,
Instead of God telling Noah to build the ark, he gets it from hallucinogenic dreams about a coming world-wide environmental catastrophe.
It is dangerous to have this first step of a slippery slope out there. It is deceptive and goes directly against God’s word.
We should not water down or be ashamed of any part of the Gospel or the God-Head / Trinity. And that is what we do when we muddy the water on exactly where Noah got his direction from. It was from God, the great I AM, not some fallible creator as the movie suggests that represents all religions.
Remember, the darker it gets, the brighter and farther our little light shines!
Maranatha, Lord come quickly!
Darren Aronofsky wrestles one of scripture’s most primal stories to the ground and extracts something vital and audacious, while also pushing some aggressive environmentalism, in Noah. Whereas for a century most Hollywood filmmakers have tread carefully and respectfully when tackling biblical topics in big-budget epics aimed at a mass audience, Aronofsky has been daring, digging deep to develop a bold interpretation of a tale which, in the original, offers a lot of room for speculation and invention. The narrative of the global flood that wiped out almost all earthly life is the original disaster story, one that’s embraced by most of the major world religions, which means that conservative and literal-minded elements of all faiths who make it their business to be offended by untraditional renditions of holy texts will find plenty to fulminate about here. Already banned in some Middle Eastern countries, Noah will rile some for the complete omission of the name “God” from the dialogue, others for its numerous dramatic fabrications and still more for its heavy-handed ecological doomsday messages, which unmistakably mark it as a product of its time. But whether you buy these elements or not, this is still an arresting piece of filmmaking that has a shot at capturing a large international audience both for its fantasy-style spectacle and its fresh look at an elemental Bible story most often presented as a kiddie yarn.
The director/co-writer serves notice of his revisionism right away, mutating the opening line of Genesis into, “In the beginning there was nothing.” In the Bible’s ark story, God does most of the talking, whereas here, Noah does, at one point raging at the silent one he only calls the Creator, “Why do you not answer me?” This Noah, who receives his instructions about what to do from disturbing, quasi-hallucinatory visions, is presented as the last good man on Earth, the chosen one who will preserve the world’s life forms along with his immediate family while the wicked will be swept away, forcing humanity to make a fresh start.
One of the striking things about the Noah tale is that it presents a fallible Creator, one who admits to disappointments over shortcomings in the product of the sixth day of creation with the remark, “I will blot out man whom I have created from the face of the ground, man and beast and creeping things and birds of the air, for I am sorry that I have made them.” The exceptions are middle-aged Noah (Russell Crowe), his wife, Naameh (Jennifer Connelly), and sons Shem (Douglas Booth), Ham (Logan Lerman) and Japheth (Leo Carroll), who are estranged from the rest of humanity and live apart from it, struggling to survive in forbidding surroundings. Noah’s physical and mental toughness is strengthened by an abiding faith, and Crowe’s splendidly grounded work here recalls some of his finest earlier performances, notably in Gladiator, The Insider and Cinderella Man, in which he embodied values of tenacity, trustworthiness and resourcefulness that inspired confidence that his characters would do the right thing.
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In Romans 10 Paul lays out how salvation is open to all, Jew and Gentile. He writes:
“For Christ is the end of the law for righteousness to everyone who believes.” – Romans 10:4-5
What he is saying is now it is not about works or how closely to a “T” you follow the law. But that it is through God’s gift of grace through faith in His Son, Jesus Christ. It is really that simple, and yet a hard step for some of us.
“That if you confess with your mouth the Lord Jesus and believe in your heart that God has raised Him from the dead, you will be saved.” – Romans 10:9
Christ is the narrow gate (Matthew 7:13-14), through faith in Him you will be saved. It is the only “works” that God requires for eternal salvation.